Sound Engineer
Sound mixing, recording, design and operation credits include numerous collaborations with Will Todd (including the classical No 1 download I Flew High In My Dreams), Soul Sanctuary Gospel Choir, Battersea Power Station Community Choir, Violeta Vicci’s album launch in surround at Aures, the Wood Street Jazz Festival (Guildford Jazz), Westminster Abbey, Opera Holland Park, Production Sound Engineer (The Addams Family tour, The Mirror and the Light), Westminster School (musicals), the Sherborne Abbey Festival, Alex Armstrong, Sherborne School (musicals, big band albums and gigs, rock concerts), Wellington School (musicals, summer festivals), a variety of corporate and social events, and sound and technical support and equipment of various kinds for hundreds of gigs that he has been involved with.
Work developing soundscapes in the studio with Will Todd led to keyboard programming for West End, touring and other projects with Bill Kenwright Limited in particular - shows he originated include Evita (several times), Scrooge, Dr. Doolittle, Cabaret (with Will Young), Jekyll and Hyde, Joseph and the Amazing Technicolour Dreamcoat, Whistle Down the Wind, Alice in Wonderland (Frank Wildhorn), Starlight Express, South Pacific (Barbican production), Cinderella (the Curve), The Screams of Kitty Genovese (Edinburgh Festival, also cast recording), Pusilla!, Cats, and Made in Dagenham, and he looked after the first UK tour of Legally Blonde. He is also familiar with implementing RMS as a convenient and low cost alternative to custom programming, particularly useful in school environments.
